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Showing posts with label A Spark of Death. Show all posts
Showing posts with label A Spark of Death. Show all posts

Friday, December 14, 2012

Guest Post with Bernadette Pajer


Book Nerd Guest Post

Bernadette Pajer spent her childhood in Seattle, surrounded by the beautiful Cascade and Olympic mountains and Puget Sound. She holds a degree from the University of Washington, Bothell, where she studied CLA (Cultural, Literature, and the Arts) in the Interdisciplinary Arts and Science program. Research is her favorite activity, and she happily delves into Seattle's past and the early days of electrical invention as she plots Professor Bradshaw's investigations. She's a proud member of MWA, SinC, NW Science Writers, PNWA, and the Seattle7Writers.org.
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Bernadette Pajer

About a hundred years ago—well, OK, nearly thirty, I decided to write a book. It was a rather casual decision. My sister and I, being oh-so-young then, were tossing around ideas about what sort of career we'd like to pursue, and being devout readers, thought it would be fun to become writers. My sister was a new mom, and I wasn't, so after a bit more contemplation, she encouraged me to write, while she devoted herself to being a fabulous mom (a career which should have a Pulitzer Prize category of its own.)

I sat down and began to write. I had no training, but that didn't stop me, although I found it surprisingly difficult to convert the ideas in my head into words on the page. It seemed so simple before I tried to actually do it. How was I supposed get a character across a room? Did I need to say the character stood, walked, turned, sat again? That was too tedious. Could I simply say the character “crossed the room?” Hey, I could! Multiply that writing question times a thousand, dealing with everything from action to subtext, and you will get a taste of what I experienced over the next few years as I discovered how to write by writing.

Would you believe it never occurred to me to take a class, attend a workshop, join a writing group, or even read a book on the craft of writing? Well, it didn't and I didn't, not until after I'd completed several manuscripts. Could I have benefited by reaching out to the writing world earlier? Yes, but not too much earlier. You see, when it finally dawned on me—well, when my literary agent politely inquired if I belonged to a writing group, hint, hint—that there were many writers out there sharing their expertise, I went in search of such folks and discovered a creative writing certificate course at the University of Washington. I loved it. As I sat listening to the instructor explain plotting, conflict, and character development, I smiled and nodded and thought to myself, yes, yes, yes! Everything I'd struggled to figure out on my own was being validated and presented in a wonderfully organized and concrete way. I was able to immediately understand and use the information given, and I felt empowered with the handy craft reminders the class provided.

The intense, serious expressions of many of my classmates, however, told me they were having a different experience. This was new information for them. They were understanding with their minds, but since many of them hadn't yet completed a full manuscript, they didn't understand with their guts. They hadn't yet struggled with these concepts and come to feel them as I had. That would come in time, in the process of writing. Only then would the craft lessons being shown them be fully understood.

Since then, I've taken many classes, attended writing workshops and conferences, and read many books on craft and the writing life. I've found them all helpful and inspirational. But the most valuable lessons I've learned have come from the very process of writing. Putting words on the page is to the writer what playing the keys of a piano is to a pianist, and brushing paint onto a canvas is to painter. We must work with our medium closely and often, driven by the passion of the stories we want to tell.

My best advice for anyone who has dreams of writing and stories to tell: write. Sit down and write. It's as simple, and as challenging, as that.



Seattle, 1901. The race to win an electrical competition incites Professor of Electrical Engineering Benjamin Bradshaw’s obsession for invention in the second entry this exciting historical series. The contest winner’s telephonic system will deliver music from the Seattle Grand Theater to homes throughout the city, and Bradshaw is confident he can win.

The contest is in full swing when President McKinley is assassinated, casting Bradshaw and the entire nation into shock. Then Bradshaw uncovers a crime closer to home: a gypsy peddler’s cart is suddenly abandoned behind his house. What happened to the father and child who lived in this cart? When Bradshaw discovers the peddler’s child may have witnessed a murder, he follows the girl’s trail, plunging into a seedy underworld of bars and brothels.

Frustrated by the police department’s apathy and caught between power struggles, he doesn’t know whom to trust. Each step of his investigation entangles him deeper in crime and corruption until he realizes that to save the child, he must transform his contest entry into a trap to catch a killer and to protect his own household.

Bradshaw’s electrical forensic and investigative skills, combined with a keen understanding of human nature, bring the Seattle police—and murder—to his doorstep during the social and scientific turmoil of the early twentieth century.

You can purchase Fatal Induction: A Professor Bradshaw Mystery at the following Retailers:
And as Special Thank you, A SPARK OF DEATH will be 0.99 for purchase.
          


And now, The Giveaways.
Thank you Bernadette for making this giveaway possible.
1 Winner will receive a Copy of Fatal Induction: A Professor Bradshaw Mystery by Bernadette Pajer.
a Rafflecopter giveaway

Friday, November 23, 2012

Guest Post with Bernadette Pajer


Book Nerd Guest Post

Bernadette Pajer spent her childhood in Seattle, surrounded by the beautiful Cascade and Olympic mountains and Puget Sound. She holds a degree from the University of Washington, Bothell, where she studied CLA (Cultural, Literature, and the Arts) in the Interdisciplinary Arts and Science program. Research is her favorite activity, and she happily delves into Seattle's past and the early days of electrical invention as she plots Professor Bradshaw's investigations. She's a proud member of MWA, SinC, NW Science Writers, PNWA, and the Seattle7Writers.org.
Social Media
  



I'm often asked why I write the Professor Bradshaw mysteries. "Why electrical engineering?" and "Why the early 20th Century?" and "Why Seattle?" Initially, I explained that Professor Bradshaw simply came to me that way, fully formed, as characters sometimes do. Like a gift from the writing gods. It was a true answer, in part. I didn't sit down and ponder and create Bradshaw and his world. He was there when I needed him. I did have to investigate him a bit, once he introduced himself, to figure out where he learned his trade, when he moved to Seattle, the year his son was born. But it felt like researching the life of a real historical figure.

I am not crazy. Well, no more crazy than any author. I do know Bradshaw is a figment of my imagination, born of all that I am and all I've experienced. So after awhile, I began a little self-examination to see what deeper reasons gave Bradshaw life. There is the undeniable fact that my husband is a lineman for a local utility, a strong but silent type, who can go out in the midst of storms, climb poles, and restore power. Surely, a bit of him is in Bradshaw.

And way back when I first attended the University of Washington, right out of high school, I had dreams of being an engineer. Not electrical, but civil. I wanted to devise an efficient and popular mass transit system. I didn't achieve that goal (and I apologize to Seattleites), partly because I got married to said lineman and moved away, and partly because it was beginning to dawn on me that I was better at dreaming up solutions than actually inventing them. I was a writer, not an engineer.

The setting being in Seattle is easy. I was born and raised in Seattle, and now live very nearby. I love Seattle, the old neighborhoods, the steep hills, the views of Puget Sound, Mount Rainier, the surrounding mountain ranges, the Space Needle. I love the Pacific Northwest. For a few years, my husband and I lived back East, and as lovely as the rolling hills and deciduous trees were, whenever I saw a photo of a Douglas fir, my heart ached.

And the time period? That goes even deeper. I once wrote a blog post where I compared 1901, the year Bradshaw solves his first case, to 1963, the year I was born, and I realized that the world I entered—a world of astronauts and magic—had its roots in 1901. That was the year Walt Disney was born. That year, Thomas Edison and Nikola Tesla and the Wright Brothers and so many others were alive and well and propelling us toward new technologies. H.G. Wells and Jules Verne were delighting imaginations and had many envisioning fantastic futures. All of this was happening a mere sixty-some years before I was born, making it possible for me, at the age of six, to sit in front of a black-and-white television and watch NASA launch a spaceship to the moon.

I could probably dig even deeper and figure out why Mrs. Prouty is Bradshaw's grumpy but loving housekeeper, why Henry is his best friend, why he is so devoted to his son, and why he loves a woman who is in many ways his opposite. But I don't want to ruin the magic of the writing process by understanding too much. I'm content to know I write the Professor Bradshaw mysteries in order to explore who I am and where I came from. And because I love good-old-fashioned whodunits.



Can death bring a man back to life? When UW Professor Benjamin Bradshaw discovers a despised colleague dead inside the Faraday Cage of the Electric Machine, his carefully controlled world shatters. The facts don't add up—the police shout murder—and Bradshaw is the lone suspect. To protect his young son and clear his name, he must find the killer.

Seattle in 1901 is a bustling blend of frontier attitude and cosmopolitan swagger. The Snoqualmie Falls Power Plant lights the city, but to most Seattleites, electricity is new-fangled and dangerous. The public wants a culprit—they want Bradshaw behind bars.

The killer wants Bradshaw dead.

His life and liberty threatened, Bradshaw discovers the thrill of investigation as he's thrust deeper into the hunt.Questions abound. How had the Electric Machine's Tesla Coil delivered a fatal shock? Was the murder personal—or connected to President McKinley's planned visit? Were students involved, or in danger? And why had Bradshaw's best friend, Henry, fled to Alaska the day of the murder?

When Henry's niece Missouri appears on Bradshaw's porch in need of a home, her unorthodox views and femininity confuse and intrigue him as he struggles to protect his own haunting secret. Danger and death lurk everywhere—disguised as accidents. Has Bradshaw come alive again only to lose all he holds dear? Before it's too late, will he discover the circuit path that led to a spark of death?

You can purchase A Spark of Death at the following Retailers:
And as Special Thank you, A SPARK OF DEATH will be 0.99 for purchase.
          


And now, The Giveaways.
Thank you Bernadette for making this giveaway possible.
1 Winner will receive a Copy of A Spark of Death by Bernadette Pajer.
a Rafflecopter giveaway